Ten women are gathered to discuss how to transmit Sahrawi culture and tradition to the younger generations. As usual, it´s a secret meeting. There is no other way in the capital of Western Sahara.
Twelve-year-old Bienvienue Taguieke was expected to obey her parents and marry a man 40 years her senior, but an association of women in Cameroon’s Far North Region, where child marriages are rife, put a stop to it in a sign that women are starting to speaking out against the practice.
Prize-winning writer Chimamanda Ngozi Adichie is hoping to break down some stereotypes at the upcoming World Voices Festival sponsored by the PEN America free expression group.
World governments expect to agree to a new global treaty to combat climate change in Paris in December. As the catastrophic impacts of climate change become more evident, so too escalates the urgency to act.
As Singapore mourns the passing of Lee Kuan Yew, the late former prime minister’s vision of a dynamic and vibrant state is being reflected in a major arts festival in France.
Globalisation is an integral feature of modernity. It already has significantly advanced to transform local experiences into global ones, to unify the disparate villages of the world into a global community, and to integrate national economies into an international economy.
As politics, economies, conflicts and cultures become increasingly intertwined, will individual identities also begin to transcend national boundaries?
The new European Commission looks more like an experiment in balancing opposite forces than an institution that is run by some kind of governance. It will probably end up being paralysed by internal conflicts, which is the last thing it needs.
International experts working in the creative sector are calling for governments to recognise the integral role that culture plays in development and to ensure that culture is a part of the post-2015 United Nations development goals, to be discussed next year.
I had been told he was in Havana but that, because he was sick, he didn’t want to see anyone. I knew where he usually stayed: in a magnificent country house far from the city centre. I called on the phone and Mercedes, his wife, eased my doubts. She said, warmly: “Not at all, that’s to keep the pests away. Come over, ‘Gabo’ will be happy to see you.”
Two men kiss each other while two women dance together without making other clients feel uncomfortable at the prívate club Humboldt 67, one of the venues seeking to cash in on an untapped market by fulfilling the unmet demand for bas, restaurants and other recreational spaces for the LGBTI community in the Cuban capital.
The seven-year-old got bored after running here and there for five minutes, amidst a group of a dozen classmates. He eventually stomped off the field because he hadn’t managed to kick the ball even once.
Standing in line for a concert at the Centro Cultural Fábrica de Arte, a cultural centre in the Cuban capital, Alexis Cruz anxiously checks his billfold, where he has the price of the ticket – 50 Cuban pesos (two dollars) - and three CUCs (equivalent to one dollar each) to buy something to drink.
The first time I read Gabriel García Márquez (1927-2014) was when I was proofreading the galleys of “The Story of a Shipwrecked Sailor”, which the Editorial Sudamericana was getting ready to reprint in Argentina.
When we read novels or short fiction in any language, we read to understand the story. We read to learn something new, and hopefully to get some kind of emotional uplift through the words on the page and the skills of the storyteller.