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	<title>Inter Press ServiceDRAMA-KENYA: Pub Theatre Pulls in Crowds</title>
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		<title>DRAMA-KENYA: Pub Theatre Pulls in Crowds</title>
		<link>https://www.ipsnews.net/1996/02/drama-kenya-pub-theatre-pulls-in-crowds/</link>
		<comments>https://www.ipsnews.net/1996/02/drama-kenya-pub-theatre-pulls-in-crowds/#respond</comments>
		<pubDate>Tue, 27 Feb 1996 00:00:00 +0000</pubDate>
		<dc:creator>IPS Correspondents</dc:creator>
				<category><![CDATA[Global]]></category>
		<category><![CDATA[Global Geopolitics]]></category>
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		<category><![CDATA[Arts and Entertainment]]></category>
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		<guid isPermaLink="false">http://ipsnews.net/?p=87544</guid>
		<description><![CDATA[Charles Wachira 
]]></description>
		
			<content:encoded><![CDATA[<p><font color="#999999"><p class="wp-caption-text">Charles Wachira 
</p></font></p><p>By IPS Correspondents<br />NAIROBI, Feb 27 1996 (IPS) </p><p>Aspiring drama groups in Nairobi unable, or unwilling, to pay high fees to stage their productions in proper theatres are taking their shows to where there is always an audience &#8211; in the pubs that abound in the capital.<br />
<span id="more-87544"></span><br />
&#8220;Since we began showing our skits in bars we have attracted tremendous crowds,&#8221; enthused Joni Nderitu, Secretary-General of the Kenya Dramatists Association (KDA).</p>
<p>&#8220;It&#8217;s been interesting to note that people who previously believed drama was performed merely for the heck of it, now realise the usefulness of drama as an education tool,&#8221; he added.</p>
<p>To see a play in one of the Nairobi&#8217;s leading theatres sets a playgoer back 500 Kenyan shillings (around 10 US dollars). That&#8217;s about one-eigth of the monthly salary of the average primary school teacher and, as a result, few Kenyans ever go to see a play performed in a commerical theatre.</p>
<p>On the other hand, Nairobi&#8217;s bars are almost always full and when a play is performed no one baulks at a cover charge equal to two dollars, or the price of two bottles of local beer.</p>
<p>While religious organisations also allow theatre groups to use their premises, they usually insist that plays have a religious message. There is no such restriction in the bars and performances there usually deal with social and political evils encouraged or perpetrated by African regimes.<br />
<br />
One such play is &#8216;Mugaathe Mubogothi&#8217; the Kikuyu words for &#8216;The Hallucinating Leader&#8217;. Written by journalist Wahome Mutahi, a former political prisoner, it revolves around the emotional theme of armed struggle.</p>
<p>The main characters are freedom fighters dischanted with a politician &#8211; stage-named Mugaathe Mubogothi &#8211; who propels himself to power in an imaginary African state.</p>
<p>&#8220;I love you citizens and that&#8217;s why I want to carry the burden of thinking for you,&#8221; Mubogothi tells his people. &#8220;As your leader I shall use the state resources the best way I know and I have decided today to buy five underpants for myself with state funds.</p>
<p>&#8220;Plus I shall purchase a ship that will not sail on the high seas but will fly in the air.&#8221;</p>
<p>It does not take too much imagination to see the parallel with President Daniel arap Moi, whose purchase not so long ago of a multimillion dollar jet created quite a stir in Kenya. (MORE)</p>
<p>= 02270301 DAP0012</p>
		<p>Excerpt: </p>Charles Wachira 
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