Patricia Gualinga (right), a representative of the Serayaku community in the Amazonic part of Ecuador, told the Summit of Conscience for the Climate in Paris: “We’re here because we want the voices of indigenous people to be heard”. Credit: A.D. McKenzie/IPS

By A. D. McKenzie
PARIS, Jul 24 2015 (IPS)

“We received a garden as our home, and we must not turn it into a wilderness for our children.”

These words by Cardinal Peter Turkson summed up the appeal launched by dozens of religious leaders and “moral” thinkers at the Summit of Conscience for the Climate, a one-day gathering in Paris earlier this week aimed at mobilising action ahead of the next United Nations climate change conference (COP 21) scheduled to take place in the French capital in just over four months.

“The single biggest obstacle to changing course [over climate change] is our minds and hearts” – Cardinal Peter Turkson, an adviser for Pope Francis’ encyclical on climate change
“Our prayerful wish is that governments will be as committed at COP 21 as we are here,” said Turkson, president of the Pontifical Council for Justice and Peace and one of the advisers for Pope Francis’ encyclical on climate change, released in June.

With the theme of “Why Do I Care”, the Summit of Conscience drew participants from around the globe, representing the world’s major religions – Buddhism, Christianity, Hinduism, Islam and Judaism – and other faiths and movements.

Government representatives also joined activists from environmental groups, indigenous communities and the arts sector to call for an end to the world’s “throw-away consumerist culture” and the “disastrous indifference to the environment”, as Turkson put it.

“The single biggest obstacle to changing course is our minds and hearts,” he said, after pointing out that “climate change is being borne by those who have contributed least to it”.

The summit was used to highlight an international “Call to Conscience for the climate” and to launch a new organisation called ‘Green Faith in Action’, aimed at raising awareness about environmental and sustainable development issues among adherents of different religions.

Participants drew up a letter that will be delivered to the 195 state parties at COP 21, signed by summit speakers including Prince Albert II of Monaco; Sheikh Khaled Bentounès, Sufi Master of the Alawiya in Algeria; Rajwant Singh, director of an international network called Eco Sikh; and Nigel Savage, president of the Jewish environmental organisation Hazon.

Voicing the concerns of religious groups and faith leaders, the letter is equally a reflection of the challenges faced by indigenous communities, who made their voices heard in Paris, describing attacks on their territories and way of life by the petroleum industry, for example.

“We’re not some kind of folkloric tradition, we’re living beings,” said Valdelice Veron, spokesperson of the Guarani-Kaoiwa people of Brazil, who delivered her speech in traditional dress.

She and other indigenous delegates spoke of their culture also being decimated by the practice of mono-cropping, where large soybean plantations are causing ecological damage.

“We’re here because we want the voices of indigenous people to be heard,” Patricia Gualinga, a representative of the Serayaku community in the Amazonic part of Ecuador, told IPS.

“We share all the concerns about the climate and we too are being affected in many different ways,” she said.

Ségolène Royal, the French Minister for Ecology, Sustainable Development and Energy who spoke near the end of the summit, said the participants’ appeal was “first and foremost, an appeal for action”.

“Climate change should be considered as an opportunity – for business, technology, [and other sectors],” Royal said. “We need to pave the way together.”

Three participants at the Summit of Conscience for the Climate stand together for a photo. Credit: A.D. McKenzie/IPS

For Samantha Smith, leader of the “Global Climate and Energy Initiative” at green group WWF, the Summit of Conscience reflected a “really big and unprecedented social mobilisation” of civil society, which she hopes will continue beyond COP 21.

“When I read the latest climate science report, it keeps me awake at night. But when I see the mobilisation and the strength of the conviction, I’m optimistic,” Smith said in an interview on the sidelines of the summit.

“Now is not the time to focus on where we disagree. Now is the time to work together,” she added.

But not everyone is invited to the same table – the alliances do not necessarily extend to companies in the fossil fuel industry, said Smith.

“When I say that we need to be united, it doesn’t mean that we need to be united with the fossil fuel industry,” Smith told IPS. “That is an industry which has contributed vastly to the problem and so far is not showing a very substantial contribution to the solution.”

The business sector, including oil producers, held their own conference in May, titled the Business & Climate Summit. At that event, which also took place in Paris, around 2,000 representatives of some of the world’s largest companies declared that they wanted “a global climate deal that achieves net zero emissions” and that they wished to see this achieved at COP 21.

Then at the beginning of July, hundreds of local authority representatives, civil society members and other “non-state actors” took part in the World Summit on Climate & Territories in Lyon, France.

There, participants pledged to take on the “challenge” of keeping global temperatures below a 2 degree Celsius increase “by aligning their daily local and regional actions with the decarbonisation of the world economy scenario”.

The scientific community also held their meeting on climate this month at the Paris headquarters of the U.N. Educational, Scientific and Cultural Organisation (UNESCO).

At most of these conferences, French president François Hollande has been a keynote speaker, reiterating his message that the stakes are high and that governments need to show commitment to reach a legally binding, global accord at COP 21, which will take place from Nov. 30 to Dec. 11.

“We need everyone’s commitment to reach this accord,” Hollande said at the Summit of Conscience. “We need the heads of state and government … local actors, businesses. But we also need the citizens of the world.”

Even as he delivered his speech, another conference on the climate was taking place – at the Vatican, with the mayors of about 60 cities meeting with Pope Francis to formulate a pledge on combating greenhouse gas emissions.

Mayors from around the world will meet again, in Paris during COP 21, through an initiative organised by the Mayor of Paris Anne Hidalgo, and by Michael Bloomberg, U.N. Special Envoy for Cities and Climate Change and former mayor of New York. Billed as the Climate Summit for Local Leaders, this meeting will be held Dec. 4 and should bring together 1,000 mayors.

A question that some observers have been asking, however, is how does one cut through all the grandiose and repetitive speeches at these incessant “summits” and get to real, sustainable action?

Nicolas Hulot, the “Special Envoy of the French President for the Protection of the Planet” and the main organiser of the Summit of Conscience, said he has faced similar queries.

“I’ve been asked ‘what is this going to be useful for’,” he said. “But a light has emerged today, and I hope it will light us up.”

Hulot sought to encourage indigenous groups and others who had travelled from South America, Africa and other regions to Paris for the event, promising them continued support.

“Don’t you doubt the fact that we’re all involved, and we’ll never give in to despair,” he said. “We want to make sure that everybody hears your message because we heard it.”

Edited by Phil Harris

The writer can be followed on Twitter: @mckenzie_ale

A scene from ‘The Incredible Adventures of Border Crossers’ by Singaporean artist Ong Keng Sen at the ‘Singapour en France - le festival’ arts fest, which aims to highlight the power of culture and its “ability to bring people together and to cross boundaries”. Credit A.D. McKenzie/IPS

By A. D. McKenzie
PARIS, Mar 29 2015 (IPS)

As Singapore mourns the passing of Lee Kuan Yew, the late former prime minister’s vision of a dynamic and vibrant state is being reflected in a major arts festival in France.

‘Singapour en France – le festival’ was launched Mar. 26 in Paris, against the backdrop of a massive out-pouring of grief in Lee’s homeland, following his death three days earlier.

“As Singaporeans grieve and reflect on our loss, we continue to honour Mr. Lee’s vision of establishing Singapore on the international stage,” said Rosa Daniel, deputy secretary of the Ministry of Culture, Community and Youth, who delivered a speech on behalf of her chief Lawrence Wong at the opening of the festival.“We used to be derided as just clean, green, safe and orderly, but dull and antiseptic. Now we have a lively city with the arts, culture, museums, art galleries, the Esplanade Theatre by the Bay, a Western orchestra, a Chinese orchestra ... And we have resident writers and artists” – Lee Kuan Yew, late former Prime Minister of Singapore

The event, which will run until Jun. 30, celebrates the 50th anniversary of the Asian city state’s independence, as well as 50 years of diplomatic ties between Singapore and France. It aims to showcase the art, culture and heritage of Singapore through more than 70 activities in cities throughout France.

“We’re a young nation … but we’re bold, modern and willing to experiment,” said Daniel, adding that the festival would also highlight the power of culture and its “ability to bring people together and to cross boundaries.”

Lee himself recognised that Singapore had made its “share of mistakes” in the cultural heritage area by destroying buildings in its rush to modernise, but in his later political years he emphasised the importance of safeguarding this heritage and of having a “top-class” arts and entertainment sector.

“We used to be derided as just clean, green, safe and orderly, but dull and antiseptic,” he said in 2010. “Now we have a lively city with the arts, culture, museums, art galleries, the Esplanade Theatre by the Bay, a Western orchestra, a Chinese orchestra … And we have resident writers and artists.”

Some of those artists travelled to France for the opening of the festival and gave a view of the changing art scene in Singapore, pushing the boundaries in a region noted for traditional values and not particularly famous for freedom of expression.

In ‘Secret Archipelago’ at Paris’ Palais de Tokyo modern art museum, visitors can view a range of experimental and contemporary work, created by Singaporeans and artists from other Southeast Asian nations such as Malaysia, Vietnam and Myanmar.

“Their works represent a bridging of the gap between past and future and the creative tension between memory and tradition on the one hand and contemporary Western influences on the other, while bringing their own particular languages to modern art,” say the curators.

“I don’t consider myself a strong person, but art gives me a way to express myself” – AnGie seah, one of the Singaporean artists exhibiting at the ‘Singapour en France – le festival’ arts fest in Paris, March 2015. Credit A.D. McKenzie/IPS

AnGie seah, an artist who includes performance in her work, embodies these concerns – literally – in her presentation titled ‘Howl of the Hallows’ in the Palais de Tokyo’s huge basement gallery.

Here visitors can listen to the screams of various people through a headphone while watching seah (who prefers her name to be lower-cased) perform the screams on video.

“I think the human voice is powerful and I like to use it in my art,” said the artist, who has travelled around France asking people to scream for her, and taping the results.

Her installation included “mini shrines” with pottery or terra cotta representations of body parts such as a hand, with the middle finger sticking up. The shrines give the installation a traditional yet avant-garde feel, inviting visitors to question the symbolism.

“I don’t consider myself a strong person, but art gives me a way to express myself,” seah told IPS.

Not far from her exposition, Vietnamese artists and twin brothers Le Ngoc Thanh and Le Duc Hai, who go by the name of Le Brothers, showed a long rectangle of video screens with military-clad characters in a variety of activities. They told IPS that their work is a call for peace through the depiction of war and soldiers in their self-performed films.

Describing their art further, Singaporean curator Khairuddin Hori said it dissects and questions post-war consciousness of North and South Vietnam, as the brothers “exploit their twin identity as mirror and metaphor.”

Other artists incorporated everyday items such as plates and household figurines to question identity while also re-affirming their history and culture. An artist from Malaysia said he had listened to senior citizens and used their stories to create his installation, which covered a large part of one wall.

Alongside the ‘Secret Archipelago’ exhibition, the opening of the festival included a five hour-long multi-media performance titled ‘The Incredible Adventures of Border Crossers’, with sound, dance, film, fashion and photography.

Specially commissioned for the festival, this ultra-modern work by Singaporean artist Ong Keng Sen features huge video screens, music technicians and live performances in a kind of visual and acoustic cacophony that still transmits harmony.

“Real-life border crossers who have never acted before are invited to be performers in this piece,” said the creator. “Sharing their everyday stories as incredible adventures, they inhabit the installation as singing, dancing and re-performing pioneer travellers.”

The “show” is described as an artwork that “envisions communications in a not-so-distant future megapolis.”

The visitor cannot help thinking that it captures something essential about Singapore, with its multi-ethnic population, its vibrant history as a trading post and its sometimes controversial efforts to build a cohesive, economically strong nation. The show also seems to evoke the late Lee’s vision of his homeland.

Edited by Phil Harris