Jazz legend Herbie Hancock, the brains behind International Jazz Day, an event that aims to encourage and highlight the “power of jazz as a force for freedom and creativity”. Credit: A.D. McKenzie

By A. D. McKenzie
PARIS, May 2 2015 (IPS)

Against the backdrop of civil unrest in Baltimore, Maryland, the fourth annual International Jazz Day was celebrated with events around the world and appeals for peace, unity and dialogue.

“Each of us is equal. All of us inhabit this place we call home,” said American jazz legend Herbie Hancock. “We must move mountains to find solutions to our incredible challenges.”“Each of us is equal. All of us inhabit this place we call home. We must move mountains to find solutions to our incredible challenges" – American jazz legend Herbie Hancock

Although the organisers of the event held on Apr. 30 did not refer directly to the protests that have followed the funeral of Baltimore resident Freddie Gray, an African-American who died in police custody, Hancock told IPS in an exclusive interview that musicians were conscious of this and other cases.

“Every time those kinds of things happen, not just with African-Americans or people of African heritage – but with different groups, whether it’s women being slaughtered, children being abused, ethnic groups being oppressed – we have to work to change things. This gives the music value and meaning,” he said.

Cover of the programme for International Jazz day 2015. Credit: A.D.McKenzie

International Jazz Day is Hancock’s brainchild, and it is presented each year by the United Nations’ cultural agency UNESCO in partnership with the U.S.-based Thelonious Monk Institute of Jazz. The organisers say the day is aimed at encouraging and highlighting the “power of jazz as a force for freedom and creativity”.

It is also meant to promote “intercultural dialogue through respect and understanding, uniting people from all corners of the globe,” says UNESCO.

In a sign of how significant the event has become since its launch in 2012, U.S. President Barack Obama and his wife Michelle will host the 2016 International Jazz Day and its signature event, the ‘All-Star Global Concert’, at the White House in Washington, D.C., Hancock announced.

“I spoke to Obama almost a year ago, at an event, and he said ‘let’s make it happen’. That wasn’t a promise because it was just in the moment, but he did make it happen, and the concert will be at the White House next year,” he told IPS.

After its beginnings in Paris three years ago, other cities which have played host to the global concert include Istanbul, Turkey, in 2013 and Osaka, Japan, last year.

The 2015 Global Host City was Paris once more, and jazz lovers were able to enjoy a day-long series of performances and educational programmes in different districts of the French capital. The presentations included workshops, master classes, discussions and jam sessions, in venues ranging from community centres to soup kitchens.

Coinciding with UNESCO’s on-going 70th anniversary celebration, the ‘All-Star Global Concert’ took place in a packed auditorium at the agency’s headquarters, with top United Nations and French officials among the audience, including U.N. Secretary- General Ban Ki-moon and France’s Justice Minister Christiane Taubira who has long fought discrimination.

“Jazz has taught me much,” said Ban. “When things become difficult, I’ve learned that you just have to improvise.”

He and the multi-cultural audience then settled back to enjoy the show, with its line-up of 30 renowned artists. The concert kicked off with vocalist Al Jarreau warming up the crowd and moved to a stirring tribute by South African musician Hugh Masekela to his country’s late icon Nelson Mandela.

As Ban had remarked, the concert was like a “mini-UN”, as American pianists such as Hancock and John Beasley (the show’s musical director) joined with Brazilian vocalist Eliane Elias,

Scottish-born Annie Lennox, more known for her rock singing, was one of the star performers at International Jazz Day’s ‘All-Star Global Concert’ 2015. Credit: A.D.McKenzie

Scottish singer Annie Lennox, Tunisian oud virtuoso Dhafer Youssef, French percussionist Mino Cinélu, Chinese teenage pianist A Bu, and a host of others to celebrate jazz and its influence.

Hancock said musicians and others were working for tolerance, mutual respect and global peace. “I’ve seen musicians from opposing sides unite to play the most beautiful music and tell the sweetest stories,” he said in his speech to the audience.

The ‘Who’s Who’ of jazz also included singer Dee Dee Bridgewater, who thanked France for opening doors and welcoming jazz musicians; saxophonist Wayne Shorter, who played alongside the young Washington, D.C.-born bassist Ben Williams and oud player Youssef for a world-premiere piece; and vocalists Dianne Reeves and Lennox (more known for rock), who drew cheers for their powerful renditions.

At the launch, UNESCO’s Director-General Irena Bokova said: “Jazz means dialogue, reaching out to others, bringing everyone on board. It means respecting the human rights and dignity of every woman and man, no matter their background. It means understanding others, letting them speak, listening in the spirit of respect.

“All this is why we join together to celebrate jazz; this music of freedom is a force for peace, and its messages have never been more vital than they are today, in times of turbulence,” she added.

Other countries that staged events to celebrate the day included South Africa, where organisers presented a series of workshops, seminars and performances with the theme of achieving change, and the United States, where award-winning artists gave concerts in New Orleans and other cities.

Edited by Phil Harris    

*   This article is published in association with Southern World Arts News (SWAN).

Jazz musician Marcus Miller (left), spokesman for the Slave Route Project, is using music to help educate people about slavery. Credit: A.D. McKenzie/IPS

By A. D. McKenzie
PARIS, Sep 14 2014 (IPS)

The Oscar-winning film 12 Years a Slave recently generated international discussion about the barbarity of slavery, but it is not alone in the attempt to break the silence around the 400 years of the transatlantic slave trade and to “shed light” on the lasting historical consequences.

At the United Nations level, The Slave Route Project observed its 20th anniversary this month in Paris and is pushing for greater education about slavery and the slave trade in schools around the world.

“People of all kinds suffered from slavery and people of all kinds profited from slavery just like so many people are now profiting from modern-day slavery. Racism is a direct result of this monstrous heritage and we need to increase the dialogue about this” – Ali Moussa Iye, head of UNESCO’s Slave Route Project
Ali Moussa Iye, chief of the History and Memory for Dialogue Section of UNESCO, the UN’s cultural agency, and director of the Project, says: “The least the international community can do is to put this history into the textbooks. You can’t deny this history to those who suffered and continue to experience the consequences of slavery.”

The Project is one of the forces behind a permanent memorial to slavery that is being constructed at UN headquarters in New York, scheduled to be completed in March 2015 and meant to honour the millions of victims of the traffic in humans.

UNESCO is also involved in the UN’s International Decade for People of African Descent (2015-2024), which is aimed at recognising people of African descent as a distinct group and at “addressing the historical and continuing violations of their rights”. The Decade will officially be launched in January next year.

“The approach is not to build guilt but to achieve reconciliation,” Moussa Iye said in an interview. “We need to know history in a different, more pluralistic way so that we can draw lessons and better understand our societies.”

He is aware that some people will question the point of the various initiatives, preferring to believe that slavery’s legacy has ended, but he said that international organisations can take the lead in urging countries to examine their past acts and the results.

“People of all kinds suffered from slavery and people of all kinds profited from slavery just like so many people are now profiting from modern-day slavery,” he said. “Racism is a direct result of this monstrous heritage and we need to increase the dialogue about this.”

According to UNESCO, the Slave Route Project has put these issues on the international agenda by contributing to the recognition of slavery and the slave trade as crimes against humanity, a declaration made at the World Conference Against Racism held in Durban, South Africa, in 2001.

Ali Moussa Iye, head of UNESCO’s Slave Route Project. Credit: A.D. McKenzie/IPS

It has also been collecting and preserving archives and oral traditions, supporting the publication of books, and identifying “places of remembrances so that itineraries for memory” can be developed.

For many people of African descent, however, much more needs to be done to raise awareness. Ricki Stevenson, a Paris-based African-American businesswoman who heads a company called Black Paris Tours, focusing on the African Diaspora’s contributions in the French capital, told IPS that there ought to be “national and international conversation about the continued effects of enslavement.”

“We need to break the silence on how racism continues to hurt, not just Black people, but all people in any country that would kill, imprison, deny education and rights to individuals,” she said. “The United States, France, and all of Europe made unimaginable money from the cruel, inhumane kidnapping and enslavement of millions of Africans.

“These nations grew rich, built their cities and economies on the enslavement of Africans, on the forced labour of Black people who were stripped of every basic human right, treated less than animals,” she added. “Today we are learning that the wealth of Wall Street and so many major corporations, insurance companies, shipping companies, banks, private families, even churches, is still tied to slavery.”

Stevenson said she knows that some find it hard to comprehend the legacy of slavery. “I doubt if anyone who has never lived in the United States can understand the overwhelming challenge of ‘breathing while Black’,” she told IPS. “It is a horrible, daily fact of life every Black man, woman, child has faced or will face at some point in their lives.”

In France, meanwhile, the rise of nationalism is leading to a culture of exclusion as well as racism, according to political observers. Justice Minister Christiane Taubira, for example, author of a 2001 law bearing her name that also recognises slavery as a crime against humanity, has been the target of racist depictions on social media and in certain publications.

Speaking at the 20th anniversary ceremony of the Slave Route Project, Taubira described her battle against “hatred” and said that the world’s challenge today is to understand the global forces that divide people for exploitation.

“We cannot accept this kind of inhumanity,” she said, adding that the “anonymous victims” were not just victims but “survivors, creators, artists, cultural, guides … and resistors”, despite the immense violence they suffered.

Some individuals and municipalities in France have worked to highlight the country’s active role in the transatlantic slave trade, through cultural and memorial projects. The northwestern city of Nantes, which achieved vast wealth through slavery in the 18th century, built a memorial to victims in 2012.

Historians say that more than 40 percent of France’s slave trade was conducted through the city’s port, which acted as a transhipment point for some 450,000 Africans forcibly taken to the Americas. But this part of Nantes’ history was kept hidden for years until the move to “break the silence” cumulated in the Memorial to the Abolition of Slavery.

In England, the city of Liverpool has an International Museum of Slavery, and Qatar and Cuba have also set up museums devoted to this history, carrying out partnership projects with UNESCO.

Acclaimed American jazz musician Marcus Miller, spokesman for the Slave Route Project, is also using music to educate people about slavery. Prior to an uplifting performance in Paris with African musicians, Miller said he wanted to focus on the resistance and resilience of the people forced into slavery and those who fought alongside to end the centuries-long atrocity.

(Edited by Phil Harris)