The Taliban may have placed a ban on theatre, but women in Pakistan’s northern provinces won’t allow the threat of the militants’ reprisals to keep them off the stage.
The imposing stronghold is almost transparent, barely noticeable, in the pitch-black desert. On top of the stands, with a thousand kilowatts at his finger’s tip, Avi Yona Bueno turns the night into lights, revealing sets, sites, and sounds. “I’m god,” smiles the lighting designer. “I’m god to my children.”