Launched in the run-up to the French presidential elections, a daring exhibition in Paris is sparking dialogue about the origins and nature of racism, both in Europe and elsewhere.
It’s one of those movie-like spring days in Paris, where blue skies and brilliant sunshine lift spirits after a long, wet, grey winter. Many people are outdoors trying to catch the rays, but Jamaican artist Danny Coxson is not among them. He’s inside a museum in a northeastern neighbourhood of the French capital, with a brush in his hand and tubs of vivid paint beside him, focusing on finishing a portrait of a deejay named Big Youth.
With widespread attacks on professional journalists and the rise of a fake-news industry, media experts agree that journalism is increasingly under fire. But how can the press fight back and ensure its survival?
Laura Alcoba is an Argentine-born writer and translator who lives in Paris, France. Her first book, Manèges
(The Rabbit House
), described Argentina’s “Dirty War” of the 1970s from a child’s perspective, when even the very young knew what could happen “if your political sympathies drew the attention of the dictatorial military regime”. Thousands were killed, tortured, and abducted, and many names remain among "los desaparecidos".
“No story is worth dying for.” This comment at a landmark conference on media safety at UNESCO last Friday emphasised the bewilderment the media felt at the brutal slayings of journalists as they carry out their work.
Amid continuing attacks on journalists, media representatives from around the world will meet in the French capital this week to discuss how to reinforce the safety of those working in the sector.Organized and hosted by the United Nations cultural agency, UNESCO, this “unprecedented” meeting between media executives and the agency’s members states on Feb. 5 is an attempt to “improve the safety of journalists and tackle impunity for crimes against media professionals”, UNESCO said.
As the festive season begins, some farmers say that consumers should be asking about the origins of their food, and thinking about who produces it, especially in light of the historic accord reached at the United Nations Climate Change Conference (COP 21) on Dec. 12 in Paris.
When Dr. Evelyn Nguleka says that the world’s people shouldn’t bite the hand that feeds them, she explains that she’s not only referring to protecting farmers, but also to safeguarding the environment.
Recognizing that agriculture plays a significant role in global warming, farmer associations say they want to offer solutions, and they’re urging governments to include them in negotiations during the United Nations Climate Change Conference taking place Nov. 30 to Dec. 11 in Paris.
“We received a garden as our home, and we must not turn it into a wilderness for our children.”
An exhibition on modern-day slavery at the International Slavery Museum in this northern English town is just one example of a museum choosing to focus on human rights, and being “upfront” about it.
Human rights groups are calling for a sustainable solution to the migrant crisis in Europe, especially following the dismantling of refugee camps in Paris and Calais, France, over the past two weeks.
Elida Almeida is Cape Verde’s newest star, with thousands of fans in Africa and Europe. She sings, dances, plays the guitar, tells jokes, and makes her audiences laugh as well as groove. But behind it all, her music carries a serious message, about the importance of overcoming setbacks, avoiding unplanned pregnancy and following one’s dreams.
“Work is dignity,” says Simone Cipriani. “People want employment, not charity.”
A boy, a sheep and a stunning mountain landscape. These are the three stars of Lamb
, a poignant film directed by 36-year-old Yared Zeleke and Ethiopia’s first entry in France’s prestigious Cannes International Film Festival.