Fresh from unveiling a huge statue of a black man on horseback in New York’s Times Square, renowned African American artist Kehinde Wiley flew to France this week to “meet” 18th-century French painter Jacques-Louis David.
It must be a daunting prospect to sing songs made famous by the incomparable Nina Simone, but performers Ledisi and Lisa Fischer brought their individual style to a BBC Proms concert in London, honouring Simone and gaining admiration for their own talent.
Dogs barking in the distance. Birds chirping nearby. A man walking through the mist, surrounded by lush vegetation. A distinctive vibrato singing “Speak Softly, Love” over it all.
An alarming report about the massive loss of biodiversity around the world warns that future generations will be at risk if urgent action isn’t taken to protect the more than one million species of plants and animals threatened with extinction.
“Communicate something to your partner in silence.”
The pairs of strangers or acquaintances who received this instruction gesticulated, smiled, shook their heads, touched their hearts and otherwise tried to transmit a message.
Abraham M. Keita says he was nine years old when a girl of thirteen was sexually assaulted and strangled in his home community in Liberia.
“Stay safe. There’s no story worth dying for.”
That’s the message to journalists from Nada Josimovic, programme coordinator of Amsterdam-based media rights organisation Free Press Unlimited.
The murder of Brazilian politician and human rights activist Marielle Franco just over a year ago and attacks on other rights activists around the world have galvanised civil society organisations, with the United Nations heightening its own strategy to protect rights defenders.
Amid rising attacks on rights campaigners, and mass protests in countries such as France and Serbia, civil society groups are urging governments to ensure the protection of “democratic values” and freedom of expression.
Amid the morass of Brexit and continuous debates on immigration, a French museum has launched a thought-provoking exhibition about music and migration.
As the grandchild of Jamaican citizens who moved to Great Britain, Monique Taffe says she inherited a tradition of recycling and learned not to be part of the “throwaway culture”, as some environmentalists have labelled consumerist societies.
A documentary about a Cuban family facing an uncertain future had its world premiere Feb. 12 at the Berlin International Film Festival, one of the world’s most prestigious cinema events. “La Arrancada” (On the starting line) is a debut feature by Brazilian director Aldemar Matias, focusing on a young athlete who is having doubts about her role in national sports in the Caribbean country. The narrative follows her as she considers her future, which may well lie abroad, she reluctantly realises.
The usual big-name directors were absent this year from the Cannes Film Festival in southern France, creating space for cutting-edge films from Asia, Africa, small European states, and the Middle East.
“It’s good to be in Paris on a sunny May day and see many universities occupied … and the strikes against neo-liberalism,” declared British Pakistani writer and activist Tariq Ali at an event in the Paris suburb of Nanterre on May 3. “That’s very pleasing.”
Launched in the run-up to the French presidential elections, a daring exhibition in Paris is sparking dialogue about the origins and nature of racism, both in Europe and elsewhere.
It’s one of those movie-like spring days in Paris, where blue skies and brilliant sunshine lift spirits after a long, wet, grey winter. Many people are outdoors trying to catch the rays, but Jamaican artist Danny Coxson is not among them. He’s inside a museum in a northeastern neighbourhood of the French capital, with a brush in his hand and tubs of vivid paint beside him, focusing on finishing a portrait of a deejay named Big Youth.
With widespread attacks on professional journalists and the rise of a fake-news industry, media experts agree that journalism is increasingly under fire. But how can the press fight back and ensure its survival?
Laura Alcoba is an Argentine-born writer and translator who lives in Paris, France. Her first book, Manèges
(The Rabbit House
), described Argentina’s “Dirty War” of the 1970s from a child’s perspective, when even the very young knew what could happen “if your political sympathies drew the attention of the dictatorial military regime”. Thousands were killed, tortured, and abducted, and many names remain among "los desaparecidos".
“No story is worth dying for.” This comment at a landmark conference on media safety at UNESCO last Friday emphasised the bewilderment the media felt at the brutal slayings of journalists as they carry out their work.
Amid continuing attacks on journalists, media representatives from around the world will meet in the French capital this week to discuss how to reinforce the safety of those working in the sector.
Organized and hosted by the United Nations cultural agency, UNESCO, this “unprecedented” meeting between media executives and the agency’s members states on Feb. 5 is an attempt to “improve the safety of journalists and tackle impunity for crimes against media professionals”, UNESCO said.
As the festive season begins, some farmers say that consumers should be asking about the origins of their food, and thinking about who produces it, especially in light of the historic accord reached at the United Nations Climate Change Conference (COP 21) on Dec. 12 in Paris.